日期： 2001年 3月30日(星期五)

時間：1 0AM– 5 PM

• How not to add own parts to story
• Finding balance between conductor/musician
• Conductor-----how to control
• Deep story---how to serve teller well
• The role of music especially deep story
• How's to remember teller's story
• How to be more creative
• Performance anxiety
• How to work with an audience that has children and adult
• Hot to get the whole of story
• The difficulty of freedom
• Ht difficulty of what choice to make in music
• Improvisation skills---timing
• How to interpret the story
• How to get the key word-essence? Of T
• How to deal with reaction of Tà to audience
• How to control your emotions as a conductor when teller gives deep story and a actor
• What to do with your feeling after the show?
• How to warm up the audience and encourage them to take storiesà transition from 1 story to another à as a conductor, how to change the atmosphere from our story to another. [how to avoid the gap]
• Take care of everyone
• Aware the limitation, the more you do it
• [how to co-operate with other]

• Contribute to growth and improvement
• Music sharingà new method
• How to find Hong Kong styles of playback
• How to be aware of things?(actor)
• Experience/sharing from other conductor
• Looking for balance between rational and emotionalà is there any space to learn?
• Practice acting
• New ways to perform
• con't....

in workshop

thank you card to julie